my struggle with silence

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To Buy Yams, or not to Buy Yams

A woman pulls over hastily in her respectable car and stops a yam hawker – a girl of about thirteen years old. Two girls I presume to be the woman’s daughter – the younger being about the hawker’s age – lounge on the backseat. The hawker, considering the looming dusk and the many tubers still unsold, quickly puts her wares down from her head for the obviously impatient woman to examine, (the woman wasn’t properly parked). Two tubers skid off the tray in mid-air and breaks on hitting the ground, one breakaway part rolls off with determination until it winds up inside a drain.

The woman asks the price of four tubers grouped together.

800, the girl replied. Her eyes assess her loss with the broken tubers (one of which is particularly big and would have been of significant market value), her tense hands gathering the damaged yams.

No o! This one is 500. The woman stretches her neck from her seat and raises her nose as though she could sniff the tubers from her seatbelt restrain.

You can take them for 700, ma. The hawker’s eyes plead. The woman’s presumed daughters look on. One of them loses interest and busies herself with a smartphone.

  1. The woman starts her car as she says this, an indication of a final offer.

Please ma, yam is now expensive, help me buy, ma. The hawker curtsies, her face contorts in a desperate plea. The car begins to slither away.

Okay ma, come and take them for 650. The woman hesitates, then shakes her head and drives off.

A passerby who heard the concluding part of the negotiation reprimands the hawker’s poor marketing. She should have accepted the 600. Can’t she see it’ll be dark soon and she’ll have to carry all those tubers back home unsold?

The car cruises off into a bend and I begin to wonder what kind of world it is where a woman in a respectable car who gives off an aura of one who would drive to a shopping mall and shop away for obviously overpriced goods would refuse to patronize a juvenile yam hawker because of 50 Naira for yams she obviously wants, especially when she knows the hawker damaged her goods and is certain of a loss, and, perhaps, a reprimand from an furious mother, while trying to satisfy her.

I walk past the drain later where the mischievous yam piece lies in tranquillity. I assure myself I would have treated the hawker differently.

But then, we humans are forged in the same template, and I must consider my history of perpetually overestimating my own capacity for empathy.

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BLACK by Nurain Oladeji |

http://www.praxismagonline.com/black-by-nurain-oladeji/

Here’s a link to my story currently on the long list of the AMAB-HBF Flash Fiction Competition.
Do read, enjoy, share.

Lagos Must Prosper | Alexis Okeowo | Granta Magazine

http://granta.com/lagos-must-prosper/

A brilliant essay by Alexis Okeowo, viewing Lagos, the commercial hub of Nigeria (if not the entire Africa) in its totality. Landscape, governance, history.
It is utterly impressive how Okeowo, in this essay, gives us a Lagos that is a collage of voices from diverse social and political classes.
The essay is about a year old, but still worthy of reading.

Voice of Silence

His work shed was the last among the rows of makeshift sheds that lined themselves along the road bringing Isale-Osun to complete a four-way junction at Olaiya. He laid down on a bench and jolted up when we stopped in front of his shed and peered inside.

‘I think he’s a mute.’ The lady said and turned to return to her mother’s shop. I murmured a ‘thank you’ after her. My tailor’s shop was also on the same side of the road and when I asked if there was a cobbler around there, she asked her daughter to take me to the one at the end of the road.

I was, to confess, a little annoyed that she had brought upon me a burden of having to communicate with a mute. But I was desperate, and the mute had a good smile. He motioned for me to sit on a bench and, as I sat down, I removed my backpack and hand it to him, I pointed at the torn strap I wanted fixed. He examined it and, with his right index finger, he traced ‘100’ on his left palm. I shook my head and traced ‘70’ on my own palm. Pity restrained me from offering him 50 Naira, which was what I would have agreed to pay anywhere else. He agreed to the price and went to work. I watched him work the needle and brown thread and marveled at his dexterity. He had the distinctive look of a northerner. He was light-skinned and he bore a smile that gave his face a warm, crude handsomeness. He wore a faded shirt, black trousers, and slippers. He was in his mid-twenties, that I was sure.

When he finished, he pointed at a different tear on the other strap to me and I nodded that he should fix it as well. He worked with a swift calmness that felt strange in a pleasant way.

I quickly recalled the beggars I had encountered on my way there. Half of them had no physical disability; and more than half, have their faces memorized in my brain, after seeing them for years. It is more than seeking alms to them; it is a job. Something they wake up in the morning and look forward to doing. I had stopped giving beggars money when, years ago, one of them rejected my money for being ‘too small’. He said I was ‘a big man’ and could do better than 20 Naira.

He pulled the straps to test the strength of his repair. Satisfied, he handed me my backpack. I examined it, awed by how neat his work was. There was no wayward thread hanging loosely about, or squeezed patch; and he managed to keep each strap at the same length. I stood up and gave him One Hundred Naira. He searched his pocket for change, but I gestured for him to keep it. He frowned and shook his head. He handed me my change but I refused to collect it from him. We continued like this – he, insisting I collect the change, and I, insisting he kept it – for a moment. I walked out and heard him made a strange sound. I turned around and he had placed his palms together, bowing a little. I did the same and said my first and only words to him: Thank you.

Safely, Liberation, Redemption – Fiction & Poetry – The Kalahari Review

http://www.kalaharireview.com/fictionpoetry/2015/6/15/safely-liberation-redemption.html

Here are three of my poems published on Kalahari Review.
Read. Enjoy. Or detest.

“My Maths Teacher Hates Me!” by Paul Ugbede

I wondered, after reading this story, why I’m just hearing the name Paul Ugbeche for the first time.

Jalada

my_maths_teacher_hates_me


My maths teacher hates me. He asked me to find y. I mean, how can I find y, something missing a long time ago? My brother and sister had tried to find it. Uwodi had searched for it when she was in class six. Then Atadoga also searched for it during his time in class six. My siblings, very brilliant, top of their classes, those children. But they are children no longer. Uwodi works in the bank at Kaduna and Atadoga is in the Army, a colonel now. They have both found happiness, but they couldn’t find y.

My maths teacher, he came to class yesterday very angry.

‘x2+3y =1. Find y’

I was not surprised. This had been the question for many years, the question that defeated my siblings in their respective class six. I had memorised it. I had waited for it. And it came…

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NIYI OSUNDARE TO READ AT ARTMOSPHERE, IBADAN and there are gifts for early birds!

The vigor of a recounted experience can never make up for the memory of the actual experience.

Su'eddie in Life n' Literature

Hey, you know about Niyi Osundare? He is one of Nigeria’s finest poets and someone whom we have sipped many creative thoughts from. Well, the news is he is going to be reading at ARTMOSPHERE in Ibadan by 3pm on Saturday, June 20, 2015. The venue is at the NuStreams Conference Centre, KM 110, Iyagunku Road, off Alalubosa GRA, Ibadan, Nigeria.

But let me tell you a bit more about Professor Osundare…

Poet, dramatist, critic, essayist, and media columnist, Niyi Osundare is a Professor of English at the University of New Orleans, USA. He has authored over ten volumes of poetry, two books of selected poems, four plays, a book of essays, and numerous articles on literature, language, culture, and society. His works of published poetry includeSongs of the Marketplace (1983), Village Voices (1984), A Nib in the Pond (1986), The Eye of the Earth (1986),which won…

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Write Till You Drop

http://www.nytimes.com/books/99/03/28/specials/dillard-drop.html

Fantastic piece. It courses through the creative path of writing, of achieving mastery at it, of drowning in the vastness of the world to live, appreciate beauty, and create one’s own beauty.
And most importantly, that we must write. And write. And keep writing.

Oblivion

When forehead bears weight

Time fails to unburden,

It is the heart that needs sedating.

 

Eyes, witnesses of history, know more

The struggle to forget. Why look?

Days are luckier. They die.

Resurrect amnesiac; live on in serenity or wonder

Where wreckage spilled from.

It is easier to sew yourself up if you forget

How you tore. But you must know, or die

Chasing after fading suns at Atlantic’s core

 

Grieve lasts too long it replaces

Reality once lived

Life is never good enough,

There is no good time to host death

Life bears, if one for everyone, fruit, edible

Amaal Said

| unstitching the mouth |

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